LIBERAL ARTS AND SCIENCES SYMPOSIUM
A Celebration of Academic Work and Commitment to Service
April 17, 2026
This year’s event will include sessions from 1 – 2 p.m. on Monday, April 13 – Friday, April 17, with multiple sessions all day on April 17. Sessions provide a forum for students to present and discuss their outstanding endeavors. Papers, roundtables, oral and poster presentations, art exhibitions, and scholarly musical presentations will showcase undergraduate research across the curriculum.
Students are required to submit a proposal or abstract of their work for consideration for a presentation at LASS. Proposals should not exceed 200 words.Ìý
The deadline for student proposal submissions was 11:59 p.m. on Sunday, March 22, 2026.Ìý
Poster printing deadline: The deadline for guaranteed poster printing in time for LASS is Friday, April 10 by 5 p.m. to the Poster Printing Hub.
LASS 2026 SCHEDULE OF EVENTS
more events coming soon
Wednesday, April 15
1 – 2:30 p.m. – The Core Self
Turner Lynch Campus Center (TLCC) Room 221 (Trustee Room)
Thursday, April 16
1 p.m. – Key note address by Alexandria Ree Hadd, Ph.D.
TLCC Room 221 (Trustee Room)
Friday, April 17
TLCC 221 (Trustee Room)
Student presenters:
- Gabriella A. López-Sandoval
“200 Million Affected: Treatment, Stereotypes, and Marginalization in Endometriosis Diagnosis and Care” - Sebastian Martinez Ramirez
“The Male Loneliness Epidemic: Its Effects and the Reality” - Rachel Williams
“Sexual Violence Against Trans Women in the United States: Intersectional Inequality, Institutional Failure, and Structural Vulnerability”
TLCC Room 225 (Fish bowl)Ìý
Student presenters:
- Angel Wildman
“RuPaul’s Drag Race: Queer Culture on a Global Stage” - Erin Jarrett
“From Broadcast to For You Page: The Differences in Olympic Media Coverage in Paris 2024” - Marshall Davis-Hancock
“When A Film Fails: An Analysis of Astro Boy (2009)”
TLCC Atrium
TLCC 106A and 106B
Students will be available to discuss their art projects.Ìý
Room 221 (Trustee Room) TLCC
Student presenters:
- Sabelle Adams ’27, Film and Media Studies major
“The ‘UwU Girl’ and Her Pedophilic Origins” - Faria Chowdhury ’27, Psychology major, Philosophy minor
“The Quickest Path to Happiness” - Ryleigh Hixon ’27, Philosophy major, Women’s, Gender, and Sexuality Studies minor
“The Merkin: The Double Bind of Bodily Self Expression” - CJ Rona ’27, Chemistry major
“The Virgin” - Eden Rowell ’27, Film and Media Studies major, Art & History Dual minor
“The Myth of the Powerful Female Sniper”
TLCC Atrium
Room 221 (Trustee Room) TLCC
Moderated by Division I faculty, this session will include student presenters from the 2026 Last Looks Film Festival:Ìý
Session Participants:
- Paul Danner, First Overall/Audience Favorite, “Dog Problems”
- Kaylee Kula, Second Overall/Capturing Culture – Second, “From Her Hands to His”Ìý
- Ethan Snipes, Third Overall, “Please Only Take One”Ìý
- Vasilina Kolesnikova, Best Narrative, “My Life is a Movie”Ìý
- Lia Kusky, Best Documentary/Capturing Culture – First, “Hair”
- Eden Rowell, Best Experimental, “Xin Liu: Hope and Reflection”
- Nina Melo, Best Promotional, “P.O.V. Trailer”Ìý
- Evan Williams, Capturing Culture – Third, “A Republic, If You Can Keep It”Ìý
Room 225 (Fish bowl) TLCC
Student presenters:
- Isabella Reid-BroadieÌý
“The Propagandist Tendencies of Roman Art and Its Influences” - Elliott Horton
“Help yourselves, and Heaven will help you.: British Imperialism in Ireland and Historical Narratives of the Great Famine” - Mason Hill
“Walking Across Pages- Traveling vs Tourism in Intercultural Understanding”
Lunch
Students can pick up box lunches at 12:05 p.m. (one per student) in the Cousins Center Atrium.
Cousins Center 330
Student presenters:
- Emy Anderson
“The Devastating Power of Rumors: Consequences of Relying on Lies, Reputation, and Public Opinion in Lillian Hellman’s The Children’s Hour“ - Asante Allwood
“Truth vs. Lies: Interpretation, Performance, and Queer Possibility in Lillian Hellman’s The Children’s Hour“ - Lydia Bowling
“The Indomitable Spirit of Queer Love in the Face of Restriction: Perseverance and Agency in Ann Bannon’s Women in the Shadows“ - Elliot Horton
“The Problem with Twink Death: Aging, maturity, and queer temporality in Ann Bannon’s Women in the Shadows“
Cousins Center 335
Cousins Center 330
Student presenters
- Naomi Wagner
“Dynamic Stability in a Flamingo Inspired Robot” - Adir Ali Yerima
“The Winning Strategies for the Sparse Ruler Game” - Ethan Snipes
“IP-Attached Films”
Cousins Center 335
- Lia Kusky
“A Serial Hobbyist’s Path to Character Design” - Kaleigh Gillette
Selected works from 2019-2026 - Naomi Stamper
Selected works
Cousins Center 330
Student presenters:
- Made Gunty
“Archaeological Artifacts and their Role in Determining Supernatural Beliefs” - Rumi Rumjhum and Beyoungtis Tarver
“Methods in Dsicovering Archaeolgical Sites” - Katya Ozerkov
“Ancient Ink: Symboism and Prfeservation.”
Cousins Center 335
Lupton Auditorium
Set 1: Americana
- Declan Robinson: Almost Like Being in Love from Brigadoon (1947) by Lerner and Lowe
- Dr. Andrew Schmidt: This is the Moment from Jekyll & Hyde (1990) by Wildhorn & Bricusse
- Destiny Sutton & Simon Qualls: Guess Who I Saw Today by Murray Grand (1919-2007)
Set 2: Impressionists
- Komang Ardani: Étude No. 8 by Ernesto Koehler (1849-1907)
- Danae St. Hill, Harp: Chanson De Mai by Alphonse Hasselmans (1845-1912) & Premiere Arabesque by Claude Debussy (1862-1918)
- Devlynn Miller & Olivia Else: Due des Fleurs from Lakmé by Léo Delibes (1836-1891)
Set 3: From Classical to Romantic
- Thomas Reininger: Lieder Ohne Worte VI, Op. 67: II. Allegro leggiero, MWV U145 “Lost Illusions” by Felix Mendelssohn (1809-1847)
- Brianna Nedelcu: Étude in A-flat major Op. 1 No. 9 by Franz Liszt (1811-1886)
- Dr. Nico Gutierrez: Waltz in E-minor “Posthumous” B56 by Frédéric Chopin (1810-1849)
Set 4: New Voices
- ºÚÁϳԹÏÍø Chorale:
The Storm is Passing Over by Charles Albert Tindley (1851-1933) arr. BarberÌý
Giver of Stars by Joan Szymko (b. 1957)
Temen Oblak by Christopher Tin (b. 1971)
Frequently asked questions
The Liberal Arts and Sciences Symposium (LASS) is an annual event that brings together ºÚÁϳԹÏÍø students and faculty in a celebration of exemplary scholarly work produced by ºÚÁϳԹÏÍø students under faculty mentorship. The symposium’s sessions provide a forum for students and faculty to present, discuss, and learn from outstanding student endeavors. Panels, roundtables, oral and poster presentations, art exhibitions, and scholarly music presentations present the fruits of both ºÚÁϳԹÏ꿉۪s liberal arts curriculum as well as science, technology, and math research. You can explore programs and schedules from prior years below.
The university strongly encourages attendance at LASS. This is a unique opportunity to contribute to the ºÚÁϳԹÏÍø campus community and experience our motto “Make A Life. Make A Living. Make A Difference†up close. Your instructor may require attendance for a particular class, so please check with your individual professors.
If you’re interested in your subject and proud of your commitment to the topic, that will show in your abstract and proposal. Any course-related subject with a faculty mentor is open to consideration by the LASS committee.Ìý
Proposals should not exceed 200 words. For discipline-specific guidance, speak to your faculty advisor.
Resources for writing an abstract or proposal can be found below:
Login with your OU email address to access the portal to submit your poster for printing:
**Any posters submitted post deadline are not guaranteed to be printed on time for LASS**
Yes, you must work with a faculty mentor to write your proposal or abstract and to prepare for your presentation.
LASS participation puts you ahead of your peers in graduate school and in your profession when it comes to conference skills. Attending symposia and conferences and presenting research or speaking in your chosen field is a part of professional life. According to the ASAE (American Society for Association Executives), there are nearly 100,000 different in the United States alone. Graduate students routinely speak and present at academic conferences throughout their course of study.
Yes, this is a public, free event.
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